Cummins Inc.: LiveWell Center (May 2015 to May 2016)
       
     
  Anila Quayyum Agha   (Born Pakistan, lives Indianapolis, IN)   All the Flowers Are for Me--Burgundy , 2016  Mixed media on paper (laser cutting, embroidery, encaustic) 30 x 30 inches unframed  Patient waiting area for massage and chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Anila Quayyum Agha   (Born Pakistan, lives Indianapolis, IN)   Dareecha IV , 2012  Dareecha VI , 2015  Mixed media on paper (hand cutting, embroidery with beads, dyes, ink) 41 x 42 inches unframed  Patient waiting area for massage and chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Dorothy Stites Alig   (Indianapolis, IN)   Ghazal 20 & 23 , 2011  Archival fine art pigment print 20 x 83 in each (unframed), 22 x 85 framed Edition of 1, plus one AP  One of two prints installed in the two chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Amy Falstrom  (Indianapolis, IN)   Rain Field , 2010  charcoal, pastel, graphite on rag paper 42 x 89 in (unframed), 48 x 93 framed      Darlene Delbecq  (Rushville & Indianapolis, IN)   Mali’s Catch , 2015  Vivian’s Godfathers , 2015  Archival pigment prints 23 x 28 inches each     North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Amy Falstrom  (Indianapolis, IN)   Rain Field , 2010  charcoal, pastel, graphite on rag paper 42 x 89 in (unframed), 48 x 93 framed  North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016   
       
     
  Darlene Delbecq  (Rushville & Indianapolis, IN)   Mali’s Catch , 2015  Vivian’s Godfathers , 2015  Archival pigment prints 23 x 28 inches each  North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  David Morrison  (Indianapolis, IN)   Fallen Series No. 12 & 13 , 2013  Colored Pencil On Paper 18.3 x 14 in (unframed), 22 x 17 ¾ framed 16.5 x 13.5 in (unframed), 19 ¾ x 17 framed    Sycamore Branches Series No.1 , 2012  Colored Pencil On Paper 13.5 x 21.5 in (unframed), 15 ½ x 24 framed  Main corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Keiji Shinohara  (Kyoto, Japan)   Sonata , 2005;  Twilight , 2012;  Concerto , 2005  Woodcut limited edition prints 11 x 14.88 in (unframed), 21 ½ x 25 framed 11.13 x 17.13 in (unframed), 21 ½ x 28 framed 9.3 x 15.3 in (unframed), 19 ½ x 21 ½ framed        Anila Quayyum Agha  (Born Pakistan, lives Indianapolis, IN)   All the Flowers Are for Me--Mustard,  2016  Mixed media on paper (laser cutting, embroidery, encaustic) 30 x 30 inches unframed  Main Corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Marc Quinn  (London, UK)   Eye of History I,    2013  Etching on Hahnemühle fine art paper Approx. 35 x 35 in (unframed) Edition of 50, Hand signed and numbered on the front  Main corridor outside of vision exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Marc Quinn  (London, UK)   Eye of History II,    2013  Etching on Hahnemühle fine art paper Approx. 35 x 35 in (unframed) Edition of 50, Hand signed and numbered on the front  Main corridor outside of exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Dale Bernstein  (Indianapolis, IN)   Cyclist  and  Bloomington, IN ,  2002  Photographic prints 51 x 40 inches  Main corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Darlene Delbecq  (Rushville & Indianapolis, IN)   Modesty,  2015  Archival pigment print 32 x 50 inches  Main corridor, outside of exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Dorothy Alig  (Indianapolis, IN)   Lamplight North  and  Lamplight South , 2015  Mixed media on gampi paper 21 x 16 ¾ in each framed  Vision Exam Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016   
       
     
  Ann Aspinwall  (New York, NY)   Spirit of Place IV , 2015  Two color screenprints 26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed Edition 3/15  Hearing exam room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Darlene Delbecq  (Rushville & Indianapolis, IN)   Mother's Cabbage Lesson,  2015  Archival pigment print 32 x 34 inches  Pediatric exam room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Darlene Delbecq  (Rushville, IN and Indianapolis, IN)   Tart , 2015  Archival pigment print 14 x 40 inches  Consultation suite.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
   Ann Aspinwall  (New York, NY)   Spirit of Place II , 2015  Two color screenprints 26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed Edition 3/15  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Adam Feibelman  (San Francisco, CA)   Sunday Kind of Love,  2014  Paper Size: 35 ¼ x 28 in, 47 x 39 ½ framed Six-color lithograph. Edition of 10  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
  Adam Feibelman  (San Francisco, CA)   Stay Awhile,  2014  22 ¼ x 29 5/8 inches Four-color lithograph Edition of 10  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     
Cummins Inc.: LiveWell Center (May 2015 to May 2016)
       
     
Cummins Inc.: LiveWell Center (May 2015 to May 2016)

The LiveWell Center is a health and wellness facility for Cummins employees and their families. Approached when the building was already designed and starting construction, Art Strategies worked with the client to define the goals of the art program and then curated, procured, and installed more then 30 works of art by local, national, and international.

Seen here: The lobby of LiveWell with three screen prints created by the internationally renowned American artist, Jonathan Borofsky.

Male/Female, 2000
Limited edition lithographs produced with the artist at Gemini GEL, Los Angeles, CA
Set of 2 : 47 x 32 in each(unframed), 55 X 39 ½  framed
Central piece: 63 x 43 in (unframed) , 70 x 49 ½ framed

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Anila Quayyum Agha   (Born Pakistan, lives Indianapolis, IN)   All the Flowers Are for Me--Burgundy , 2016  Mixed media on paper (laser cutting, embroidery, encaustic) 30 x 30 inches unframed  Patient waiting area for massage and chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Anila Quayyum Agha
(Born Pakistan, lives Indianapolis, IN)
All the Flowers Are for Me--Burgundy, 2016
Mixed media on paper (laser cutting, embroidery, encaustic)
30 x 30 inches unframed

Patient waiting area for massage and chiropractic rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Anila Quayyum Agha   (Born Pakistan, lives Indianapolis, IN)   Dareecha IV , 2012  Dareecha VI , 2015  Mixed media on paper (hand cutting, embroidery with beads, dyes, ink) 41 x 42 inches unframed  Patient waiting area for massage and chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Anila Quayyum Agha 
(Born Pakistan, lives Indianapolis, IN)
Dareecha IV, 2012
Dareecha VI, 2015

Mixed media on paper (hand cutting, embroidery with beads, dyes, ink)
41 x 42 inches unframed

Patient waiting area for massage and chiropractic rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Dorothy Stites Alig   (Indianapolis, IN)   Ghazal 20 & 23 , 2011  Archival fine art pigment print 20 x 83 in each (unframed), 22 x 85 framed Edition of 1, plus one AP  One of two prints installed in the two chiropractic rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Dorothy Stites Alig 
(Indianapolis, IN)
Ghazal 20 & 23, 2011
Archival fine art pigment print
20 x 83 in each (unframed), 22 x 85 framed
Edition of 1, plus one AP

One of two prints installed in the two chiropractic rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Amy Falstrom  (Indianapolis, IN)   Rain Field , 2010  charcoal, pastel, graphite on rag paper 42 x 89 in (unframed), 48 x 93 framed      Darlene Delbecq  (Rushville & Indianapolis, IN)   Mali’s Catch , 2015  Vivian’s Godfathers , 2015  Archival pigment prints 23 x 28 inches each     North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Amy Falstrom
(Indianapolis, IN)
Rain Field, 2010
charcoal, pastel, graphite on rag paper
42 x 89 in (unframed), 48 x 93 framed

Darlene Delbecq
(Rushville & Indianapolis, IN)
Mali’s Catch, 2015
Vivian’s Godfathers, 2015

Archival pigment prints
23 x 28 inches each

North corridor off of the main lobby.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Amy Falstrom  (Indianapolis, IN)   Rain Field , 2010  charcoal, pastel, graphite on rag paper 42 x 89 in (unframed), 48 x 93 framed  North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016   
       
     

Amy Falstrom
(Indianapolis, IN)
Rain Field, 2010
charcoal, pastel, graphite on rag paper
42 x 89 in (unframed), 48 x 93 framed

North corridor off of the main lobby.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

 

  Darlene Delbecq  (Rushville & Indianapolis, IN)   Mali’s Catch , 2015  Vivian’s Godfathers , 2015  Archival pigment prints 23 x 28 inches each  North corridor off of the main lobby.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Darlene Delbecq
(Rushville & Indianapolis, IN)
Mali’s Catch, 2015
Vivian’s Godfathers, 2015

Archival pigment prints
23 x 28 inches each

North corridor off of the main lobby.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  David Morrison  (Indianapolis, IN)   Fallen Series No. 12 & 13 , 2013  Colored Pencil On Paper 18.3 x 14 in (unframed), 22 x 17 ¾ framed 16.5 x 13.5 in (unframed), 19 ¾ x 17 framed    Sycamore Branches Series No.1 , 2012  Colored Pencil On Paper 13.5 x 21.5 in (unframed), 15 ½ x 24 framed  Main corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

David Morrison
(Indianapolis, IN)
Fallen Series No. 12 & 13, 2013
Colored Pencil On Paper
18.3 x 14 in (unframed), 22 x 17 ¾ framed
16.5 x 13.5 in (unframed), 19 ¾ x 17 framed

Sycamore Branches Series No.1, 2012
Colored Pencil On Paper
13.5 x 21.5 in (unframed), 15 ½ x 24 framed

Main corridor, outside exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Keiji Shinohara  (Kyoto, Japan)   Sonata , 2005;  Twilight , 2012;  Concerto , 2005  Woodcut limited edition prints 11 x 14.88 in (unframed), 21 ½ x 25 framed 11.13 x 17.13 in (unframed), 21 ½ x 28 framed 9.3 x 15.3 in (unframed), 19 ½ x 21 ½ framed        Anila Quayyum Agha  (Born Pakistan, lives Indianapolis, IN)   All the Flowers Are for Me--Mustard,  2016  Mixed media on paper (laser cutting, embroidery, encaustic) 30 x 30 inches unframed  Main Corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Keiji Shinohara
(Kyoto, Japan)
Sonata, 2005; Twilight, 2012; Concerto, 2005
Woodcut limited edition prints
11 x 14.88 in (unframed), 21 ½ x 25 framed
11.13 x 17.13 in (unframed), 21 ½ x 28 framed
9.3 x 15.3 in (unframed), 19 ½ x 21 ½ framed

Anila Quayyum Agha
(Born Pakistan, lives Indianapolis, IN)
All the Flowers Are for Me--Mustard, 2016
Mixed media on paper (laser cutting, embroidery, encaustic)
30 x 30 inches unframed

Main Corridor, outside exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Marc Quinn  (London, UK)   Eye of History I,    2013  Etching on Hahnemühle fine art paper Approx. 35 x 35 in (unframed) Edition of 50, Hand signed and numbered on the front  Main corridor outside of vision exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Marc Quinn
(London, UK)
Eye of History I, 2013
Etching on Hahnemühle fine art paper
Approx. 35 x 35 in (unframed)
Edition of 50, Hand signed and numbered on the front

Main corridor outside of vision exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Marc Quinn  (London, UK)   Eye of History II,    2013  Etching on Hahnemühle fine art paper Approx. 35 x 35 in (unframed) Edition of 50, Hand signed and numbered on the front  Main corridor outside of exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Marc Quinn
(London, UK)
Eye of History II, 2013
Etching on Hahnemühle fine art paper
Approx. 35 x 35 in (unframed)
Edition of 50, Hand signed and numbered on the front

Main corridor outside of exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Dale Bernstein  (Indianapolis, IN)   Cyclist  and  Bloomington, IN ,  2002  Photographic prints 51 x 40 inches  Main corridor, outside exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Dale Bernstein
(Indianapolis, IN)
Cyclist and Bloomington, IN,  2002
Photographic prints
51 x 40 inches

Main corridor, outside exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Darlene Delbecq  (Rushville & Indianapolis, IN)   Modesty,  2015  Archival pigment print 32 x 50 inches  Main corridor, outside of exam rooms.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Darlene Delbecq
(Rushville & Indianapolis, IN)
Modesty, 2015
Archival pigment print
32 x 50 inches

Main corridor, outside of exam rooms.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Dorothy Alig  (Indianapolis, IN)   Lamplight North  and  Lamplight South , 2015  Mixed media on gampi paper 21 x 16 ¾ in each framed  Vision Exam Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016   
       
     

Dorothy Alig
(Indianapolis, IN)
Lamplight North and Lamplight South, 2015
Mixed media on gampi paper
21 x 16 ¾ in each framed

Vision Exam Room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

 

  Ann Aspinwall  (New York, NY)   Spirit of Place IV , 2015  Two color screenprints 26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed Edition 3/15  Hearing exam room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Ann Aspinwall
(New York, NY)
Spirit of Place IV, 2015
Two color screenprints
26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed
Edition 3/15

Hearing exam room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Darlene Delbecq  (Rushville & Indianapolis, IN)   Mother's Cabbage Lesson,  2015  Archival pigment print 32 x 34 inches  Pediatric exam room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Darlene Delbecq
(Rushville & Indianapolis, IN)
Mother's Cabbage Lesson, 2015
Archival pigment print
32 x 34 inches

Pediatric exam room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Darlene Delbecq  (Rushville, IN and Indianapolis, IN)   Tart , 2015  Archival pigment print 14 x 40 inches  Consultation suite.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Darlene Delbecq
(Rushville, IN and Indianapolis, IN)
Tart, 2015
Archival pigment print
14 x 40 inches

Consultation suite.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

   Ann Aspinwall  (New York, NY)   Spirit of Place II , 2015  Two color screenprints 26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed Edition 3/15  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Ann Aspinwall
(New York, NY)
Spirit of Place II, 2015
Two color screenprints
26 ¾ x 35 in each (unframed), 31 x 40 ¾ framed
Edition 3/15

Occupational Health Room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Adam Feibelman  (San Francisco, CA)   Sunday Kind of Love,  2014  Paper Size: 35 ¼ x 28 in, 47 x 39 ½ framed Six-color lithograph. Edition of 10  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Adam Feibelman
(San Francisco, CA)
Sunday Kind of Love, 2014
Paper Size: 35 ¼ x 28 in, 47 x 39 ½ framed
Six-color lithograph.
Edition of 10

Occupational Health Room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016

  Adam Feibelman  (San Francisco, CA)   Stay Awhile,  2014  22 ¼ x 29 5/8 inches Four-color lithograph Edition of 10  Occupational Health Room.  ALL PHOTOGRAPHY (C) Hadley Fruits, 2016
       
     

Adam Feibelman
(San Francisco, CA)
Stay Awhile, 2014
22 ¼ x 29 5/8 inches
Four-color lithograph
Edition of 10

Occupational Health Room.

ALL PHOTOGRAPHY (C) Hadley Fruits, 2016